The following image shows the number and variations of D.H. Lawrence’s use of the F-Word in Lady Chatterley’s Lover. These are in the sequence of appearance in the novel.

The words are ‘censored’ here in the spirit of the novel’s initial ban and later prosecution for obscenity. Unaltered, they read with poetic gusto.

I’ve always got something on the go, and simple is fun and fine. I have recently completely a collection of concrete poems where the narrative line is ‘connections’ – that is, until there is a tangent to the next set of linkings. This is currently titled ‘Connected'(!), and there are sets of the obvious and the obscrure, with occasional TextArt poems.

The above three begins the new sequence of concrete connectivity.

It is a compulsive writing focus beyond my other daily commitments.