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Another interminable, apocalyptic waiting…

My sincere thanks to Billy Mills for his reviews of two of my poetry books in today’s posting from Elliptical Movements. They are both thoughtful and generous. You can read then here: https://ellipticalmovements.wordpress.com/2023/10/26/recent-reading-october-2023/

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My thanks to IT and Rupert for today’s posting of one of my ‘literary lines’ generative TextArt poems. Two from a sequence of four, you can read it here: https://internationaltimes.it/will-to-change/

Presumably we all have our many bugbears. One of mine is the observation ‘It was surreal’, this most commonly brought to my attention on TV interviews when a (again usually) sports person, or celebrity, or person-of-the-moment is speaking about an actual, real achievement and/or experience and they describe it as the total contradiction of ‘surreal’. There, I’ve said it:

I never got past 5 erasures from this, the fifth making its way into my Bier Bua Press found poetry collection &there4, this now withdrawn from availability when the press closed.

I’ve just come across these other 4 beginnings, but it was a task too hard to pursue for so many reasons:

My thanks to IT and Rupert for posting today. Read the poem here: https://internationaltimes.it/ordinary-ordinance/

Generative TextArt poems exploring the functions – or not – of backchannel behaviour in talk, taking me back to my A Level teaching…

Yes?

Yes.

From Gazebo Gravy Press.

This is an erasure on the theme of ‘Refuge’ – NPD theme, 2023 – where I removed all the lines from Samuel Beckett’s 1969 story Lessness (though being precise, his later English translation from the French original Sans), apart from those referencing ‘true refuge’ and the occasional ‘light refuge’. It shifts the hypnotic focus closer into this as an exploration:

I wrote about my introduction to this story – and its impact – in the following link. I also include the whole story if you want to read: https://gravyfromthegazebo.blog/2017/02/18/lessness-samuel-beckett/