(Image by artist and photographer Nick Dormand)
Author Archives: omahaglenn
Undulations as Rhythm
Delighted, as ever, to work with Nick Dormand again, and to have our collaboration printed in a glossy book. I do recommend these, cheap enough if grabbing as an offer (there are always offers) but would be too expensive to get in larger numbers, I guess. But the production value really does enhance the presentation – these done through Printerpix.
There is a pdf version of the whole collection to download for free here: Undulations as Rhythm.
If Coleridge Had Driven a Morris Minor
(for Chris)
With beauty seen as a
unity in multiplicity, Samuel would have
approved its mass production,
warmed to the Germanic
influence of design – a Kantian love
for this aesthetics of simplicity in
the sublime – and the
Englishness of tradition with innovation:
like verse with rhymes
before a run of
mimesis along an assembly line.
A ‘53 phase II could
have a top to put
down, composing in the passing air as if
on a long poet’s stride.
Independence would be in the
suspension of disbelief – because it simply was –
and rack and pinion
steering like a flight of
poetic feathers on the thrust of wings:
STC’s journey to the divine.
Plague Erasure 5
How finding one word gives you an anchor…
Luxtons, Massey Fergusons and Me
~
Plague Erasure 4
#4
flag
found in the fervour for
International Gods
My poem here today at International Times, with thanks to Rupert and IT.
Plague Erasure
There’s going to be more in this than American Cookery. I looked for lighter, but…
American Cookery Erased
Further to my previous post on this erasure attempt, it was, as I suspected, not oven-ready for transformation, the ingredients lacking the potential hoped for. I could persevere for ‘light entertainment’ – and there’s no harm in that – but I don’t think it can ultimately rise to this. I rest my case:
I’m actually making a real pie for lunch, and that is much more interesting!