‘Gimme Some Truth’ by John Lennon

i’m sick and tired of hearing
things
from uptight-short sighted-
narrow minded hypocritics
all i want is the truth
just give me some truth
i’ve had enough of reading
things
by nuerotic-pyschotic-
pig headed politicians
all i want is the truth
just give me some truth
no short haired-yellow bellied
son of tricky dicky
is gonna mother hubbard
soft soap me
with just a pocketful of hope
money for dope
money for rope
i’m sick to death of seeing
things
from tight lipped-
condescending -mommies little
chauvinists
all i want is the truth
just give me some truth
i’ve had enough of watching
scenes
of schizophrenic – ego – centric
– paranoic – prima – donnas
all i want is the truth
just give me some truth

Songwriters: John Lennon

Gimme Some Truth (Remastered 2010) lyrics © Sony/ATV Songs LLC, Lennon Music, Lenono Music, Northern Songs, Sony Atv Music Publishing France, LENONO MUSIC C/O DOWNTOWN DMP SONGS

Great British Fake-Off

educake

Q. What do you think ‘educake’ means?

A. I think ‘educake’ is a neologism. I can tell from the advertisement that it is referring to education, e.g. the ‘edu’ of the made-up word, and the ‘cake’ is perhaps used as a metaphor for eating education, or having a slice of education: both to mean that you are consuming education. I think the advertisers missed a trick because they also use the term ‘low-stakes’ and I think they could have had some fun with this as a pun about food and eating! But what do I know? I’m just a student plugging into this set of tests. That said, I have done a lot of tests in my school life so perhaps I will be good at more tests.

I accept I would need to see more than this one advertising example to fully confirm my reservations, but you can’t sign up for the ‘free trial’ if not a teacher/student with an existing school to include in the form. However, I am happy to take a punt on my immediate reasons for having doubts – and there are a few other ‘examples’ to reference.

I’ll start with the hierarchy of learning [my word] it is claimed these ‘high-quality’ questions produce: ‘increase students’ knowledge, cultural capital and skills’. Well, I have to presume this is a Hirschian model of education – which I detest – placing ‘knowledge’ to the fore, and then that loaded, quite despicable term ‘cultural capital’, and leaving skills as the last, which I would always see as embracing understanding and how to use this [not, by the way, for some kind of cultural aggrandisement and privilege!].

That for me is the biggest and immediate nail in the lid.

Secondly, I simply don’t see the exemplar on ‘pathetic fallacy’ as all that clear in how it works/operates, but as it exemplifies only at identification anyway [as is] it isn’t purposeful.

Thirdly, these other visual displays/examples/advertising tempts pound in the further nails:

educake2

OK, very funny. Some of the teachers are even from my generation in adding to this mock role-call of names [e.g. Richard and Linda Thompson/Billy Cobham] and I could see myself doing this, but not the atrocity of the ‘Marked as Wrong’ exemplar. I’ve seen enough of this ‘Accepted Answers’ draconian nonsense in English SATs mark schemes over many years to endorse/agree with any English teacher demeaning themselves and the subject to use. Still, English teachers continue to mark the SATs so I guess there are plenty like this out there.

educake3

Oh dear, further appalling bollocks. And this is the classic test/automatically marked nonsense that serves no other purpose than it can be done simply.

educake4

Well, this is interesting. Firstly, is there a GCSE English subject that uses Women in Love as a set text? Perhaps this is A Level… Is there an English subject examination that tests in such discrete short-answer questions? That’s just a query by the way. I still wouldn’t endorse this as an online learning [my word] tool. Secondly, I could see myself using this as a classroom resource, being able to ask the question and discuss answers and reasons for the differing elements of perception demonstrated. Ironically, this exemplifies the multiplicity of responses in English as a subject that ‘Accepted Answers’ always works destructively against. Finally, and in the spirit of an acceptable, purposeful pedantry [so not al la Rees-Mogg’s assumed cultural capital…] I don’t like writing such as Different answers are subtly different, so students really need to think to demonstrate understanding because if an English teacher wrote this they shouldn’t be setting these questions.

Additional

I’ve just been back to the cake stall to check I hadn’t missed anything ‘good’ on the sales table about Educake – no, I mean that: if I dislike something, I do want to make sure I really* dislike it. But I found this, an appalling league tables idea to place students in a hierarchy of commitment to lots and lots of extra homework which will of course ignore completely all the significant differentiating features affecting students’ commitment to/aptitude for/ability to undertake and so on these homework tests –

educake5

I’m surprised the ‘older’ members of the ideas team didn’t allocate names like

Jimi Hendrix
Eric Clapton
Jimmy Page
Jeff Beck
B.B. King
Eddie Van Hallen
Stevie Ray Vaughan
Neil young
John Martyn

All those tricks missed!

*using one of Educate’s really favourite words.

Blackpool Illuminations with Knives Forks and Spoons Press

Blackpool Illuminations

It is a double pleasure to have a collection of my found prose poems forthcoming with Knives Forks and Spoons Press, and to have a poem from this included in the KFS Blackpool Illuminations which are apparently positioned just south of Bispham Tram Stop. I will be going to see just where that is at some stage! A further delight is to be with the other writers there. With huge thanks to Alec Newman.

‘Mutant Summers New Histories’ by Peter Dent – The Red Ceilings Press

pd2

I haven’t struggled to read these poems in their dancing and/or jaywalking across and over ordinary direct lines, but have in feeling confident to be meaningful about what to say on them other than encourage the surprises of that reading outside the common pathways.

That said, I will write some early impressions, and these are more honest and real than waiting to shape a surer if probably anathema summary/gist. Before this I will just make a leap of some confidence that the following whole poem [which is wonderful] alludes perfectly to my current circuit with these poems:

pd1

In this, ‘only or another means’ and ‘pale light slipping through’ and ‘not to be/Shaken off’ seem to suggest my journey so far.

But to those first impressions – I like the celebration of chance and unknowing in these poems – as I see/read it – rooted in unexpected contexts [there you go] like a chance encounter with a ‘4 X 4’ in THE UNREADABLE RIDER that prompts [from ‘chance is…’]

pd3

A contextualisation note with the poem, as is the case with many, refers us to ‘Hotel Responsibility legislation linked to ‘fire raising’.

It is the caveat against preparing for the ‘hereafter’ which suggests the celebration in the here and now.

This sense of looking out for the unlookoutable is suggested in the book’s opening poem THE DRAGONFLY HAD NO BUSINESS

pd4

Maybe I mean/Dent means uncertainty and ambiguity rather than chance – for example, there is in ONCE REMOVED the line [from ‘only/By…’]

pd6

and in ANOTHER MIGRAINE there is the lyricism of expressing how the uncertainty is a kind of existential effect [from ‘a story…’]

pd5

To set out on your own jaywalking, get it here.

The Yell – An Erasure

1a

I have completed my erasure of The Yellow Book – An Illustrated Quarterly, Volume 1 April 1894. This was the first edition of the literary journal that ran for 3 years and was edited by Henry Harland. I have had this original text for around 50 years though I was able to use an online copy for the erasure process.

I haven’t attempted to compile an entirely new narrative across all the texts, nor to fashion lengthy narratives within texts; indeed, my approach was to find at least one erasure from each written text, including poems, and to tackle some of the illustrations, choosing three for this. New meanings are discrete, and some present contemporary reflections; others not. There is no technical flamboyance because I wasn’t looking to create this and do not have the skills for doing so!

It is available to read and/or download here:

The Yell

 

Survival and Surrender

I wanted you sitting next to me
driving home with the top down
on a balmy, August early evening,
warmed also by the night’s jazz –

that one about survival and surrender
with a trumpeter’s lyrical shift to the
squeal of how a struggle for freedom
is spiritual, without our believing in it.